Metro In Dino Movie Review: A Modern Tale of Love and Urban Loneliness
July 5, 2025
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Metro In Dino, directed by Anurag Basu, brings back the charm of city-based relationship drama with a fresh take on modern-day complexities. Inspired by the emotions of urban
Metro In Dino, directed by Anurag Basu, brings back the charm of city-based relationship drama with a fresh take on modern-day complexities. Inspired by the emotions of urban life and relationships, this anthology-style film connects different people through their unique yet relatable stories, all bound by the invisible threads of love, longing, and loneliness in the concrete jungle.
Plot Summary
The film unfolds in a bustling metro city and weaves together multiple storylines involving diverse characters from different walks of life. Each character is struggling with their personal dilemmas—some are in search of love, others are fighting to keep it alive, and a few are dealing with heartbreak and the idea of moving on.
The movie does not follow a traditional linear narrative but opts for a parallel storyline approach, similar to Life In A… Metro, one of Basu’s earlier hits. The characters cross paths in subtle ways, reflecting how urban lives are interconnected despite their apparent isolation.
Cast and Performances
One of the biggest strengths of Metro In Dino is its stellar ensemble cast. The film features Aditya Roy Kapur, Sara Ali Khan, Pankaj Tripathi, Konkona Sen Sharma, Ali Fazal, Fatima Sana Shaikh, Neena Gupta, and Anupam Kher—each delivering emotionally resonant performances.
Aditya Roy Kapur and Sara Ali Khan share a refreshing chemistry. Their characters represent young professionals grappling with past baggage and present insecurities.
Pankaj Tripathi once again steals scenes with his natural wit and depth, portraying a middle-aged man facing the disconnect in his long marriage.
Konkona Sen Sharma and Ali Fazal bring a mature and intense perspective to the narrative, delving into themes like trust, trauma, and second chances.
Neena Gupta and Anupam Kher, as an elderly couple rediscovering companionship, add warmth and comic relief, reminding viewers that love has no expiry date.
Each subplot is delicately written and beautifully performed, making the audience emotionally invest in every character’s journey.
Direction and Storytelling
Anurag Basu masterfully blends realism with cinematic flair. His signature style of storytelling—full of visual poetry, heartfelt dialogues, and interwoven narratives—shines throughout the film. Basu does not rush to offer conclusions. Instead, he lets the stories breathe and evolve, just like relationships in real life.
The screenplay is tight, with moments of silence speaking louder than words. There’s a deliberate focus on human emotions, capturing the bittersweet reality of urban existence.
Music and Cinematography
The soul of Metro In Dino lies in its music, composed by Pritam. The soundtrack is evocative, with lyrics that mirror the emotions on screen. Songs like the title track “Metro In Dino” and a few soulful ballads stay with you long after the credits roll.
Cinematography by Ravi Varman beautifully captures the pulse of the city—rain-soaked streets, crowded trains, lonely apartments, and the little joys hidden in everyday moments.
What Works
Strong ensemble cast
Emotionally rich and layered storytelling
Engaging screenplay with seamless transitions between plots
Heartwarming and relatable themes
Beautiful music that complements the narrative
What Could Have Been Better
While the pacing suits the introspective tone of the film, some viewers might find it a tad slow in the middle. A couple of character arcs could have used more screen time to explore their emotional depth further.
Final Verdict
Metro In Dino is a soulful, thought-provoking drama that reflects the emotional chaos of city life. It’s not just about romantic love but also about acceptance, healing, companionship, and the courage to begin again. If you’re a fan of heartfelt storytelling with emotional depth and beautiful music, this film is worth watching.